These are just suggestions (probably combined from other DAWs I use), but are meant to be examples of the kinds of thing a good smart tool would do and how it could be done.Īlso, Cubase already does some of these. There is no way I am going back to Pro Tools’ limited track count and its “fabulous” subscription scheme, but spending money on the last 2 Cubase upgrades left a bitter taste in my mouth (I did like the added inserts, DOP presets and latency monitor though) and made me look at some other DAW options… and I have to admit, that Studio One looks very sexy these daysįor a Smart Tool, I want more than just a select+range cursor, and not just a tool for audio, but one for MIDI, automation, etc. Like most users, I just want convenience and speed in the basic editing/mixing functionalities, that are performed hundreds of times per day, not new shiny features, that don’t work properly and/or make a very little difference to improving the music/audio making experience. I would gladly upgrade to the next Cubase version, if it will include editing/mixing workflow improvements (like a smart tool, channel colors, improved sends, dual-mono plugin mode, etc.) and a proper HiDPI implementation, not new “groundbreaking” (and DAW-breaking) features. Yes, there is a clip gain functionality (via Draw tool) in Cubase, but it is hard to use, because it is underdeveloped. Yea - this thing exactly… when I switched from Pro Tools to Cubase, I was quite disappointed/frustrated about, how clumsy the audio editing in Cubase is. Because we pay you fully real money and not half-fake. So please listen more, do not overcomplicate simple things, simple solutions are usually the best.Īnd lastly, If you make new version please made it fully realy working not half-working. For (UK) English and International English keyboards with or without a numeric keypad. An intuitive web app to help you memorize Logic Pro X key commands. does not cause a visual change in the height of the waveformĬlip aligment is great function your introduced in C10. Velocity 112 (ff) / Velocity 127 (fff) - Sustain inserted note (s) Q Quantize note starts on/off.I know that we have almost similar way to control volume line on automation track but: In mean time in Cubase PRO/Nuendo: we have to separate clips and use gain control on each one or use pencil to draw gain line Select range + up/down you mouse cursor over gain lineīy gain icon in down left clip corner (small fader appears - elegant solution IMO) This simple and intuitive solution for many pros is ground breaking for choosing DAW (where time is money) and also crossgrade-stoper to jump to another ship… Very old request…just a remainder, Steinberg.
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